Things are moving along here in this New York adventure. Two months in, and it looks like I'll be joining the ranks of the employed day-jobbers. More details when they're set in stone.
Exhibition news should be coming soon, as well as a new print.
Until then, here are some of the lovely things that have been saturating my retinas lately...
Eliot Lee Hazel's work is astoundingly beautiful. Ethereal, ambiguous, but captivating. I especially like his Moby Ohno set, from which this first image comes.
Also on the radar are three artists from the Columbia University 2001 MFA Thesis Exhibition:
Chris Jehly comes from the world of, or is at least strongly influenced by, street art. Dude knows what he's doing with line. Of course, the pieces he had in the MFA show aren't online anywhere (that I can find) which is a shame.
Brie Ruais is a sculptor working primarily in ceramic and plaster. And, sometimes, sticks. I don't like all of her work, but what I like, I like a lot.
The third is Joseph Michael Lopez, a photographer working in a somewhat journalistic style, I suppose. I mean that in the sense that he shoots the world around him, people on the streets, etc., rather than setting up shoots or creating worlds. His shots still have that dreaminess to them, though. Apparently that's what does it for me in photography. His site is flash, which means I can't pull images. But go look at it anyway... The link above goes straight to my favorite shot of his.
Overwhelming in the best way. Past his mastery of the craft, of tailoring itself, McQueen was undeniably an artist. These things he created are sculpture as fashion, or fashion as sculpture... The pieces and other artifacts were supported by video of some of the runway shows. McQueen runway shows are not exactly your run-of-the-mill, walk-and-turn shows, and seeing the garments in his version of motion was very informative. (Runway shows can be viewed in the Runway Archive.) The presentation of his collections grouped more by theme than by seasonal collection, which made it more difficult to get a clean chronological grasp of his work, but was incredibly useful as a source of inspiration.